Tuesday, October 17, 2006

Is the race over already?

As we enter, in earnest, into the fall movie season- a season that is all but guaranteed to yield all of the major Oscar contenders- let us reflect on a few of the movies this year that will not get recognized, as deserving as they may be.

Robert Downey, Jr. in A Scanner Darkly. Here is a movie that is psychedelic sci-fi and (heaven forbid) animated, so in other words here is a movie that has zero chance of getting nominated for anything mainstream. I should clarify- if you aren't familiar with Richard Linklater's style of animation, he films actors in locations, and then animates over the film, giving the animated image the style and control of (to use a crude term) a cartoon, but an uncanny realism that would not be possible with traditional animation methods. What I'm getting to is that despite the animation factor, or perhaps because of it, Mr. Downey gives a brilliant, quirky-as-hell, fabulously truthful turn as the film's ultimate sleezeball. But will the Academy even watch it? Doubtful.

Now I'm going even further out on a limb- the screenplay for Clerks II. It's vulgar, crass and involves a donkey show, so any shot of recognition is right down the toilet. That said, where else can you get a movie that has a reformed drug dealer doing the "Buffalo Bill tuck" and then there's the comedic genius of "Pillowpants." but all the while there's an underlying beautiful story about the choices we make and the importance of friends. I know there's no chance in hell, but this screenplay deserves some attention.

Now, we look forward to the wide release of Borat. This week's Entertainment Weekly cover story asks if this is the funniest movie ever, and the buzz from all sides is becoming deafening. But a low-budget "culturally offensive" satire has a snowball's chance in Hollywood of getting recognized. Unless it does- maybe this is the year that the Oscars finally realize what actors have known for a long time: Dying is easy, comedy is hard.

3 Comments:

At 9:08 AM, Anonymous Anonymous said...

I'm with you on almost all counts, save for a minor quibble. I mean, it is cool that Linklater uses an updated digital version of it and all, but I wanted to give big ups to Max Fleischer for inventing the rotoscoping animation process way back in 1914. Disney used it to animate Snow White and the Seven Dwarves in 1937, and Fleischer himself used it to startling effect in his 1940's Superman cartoons.

That "performance capture" crap that Zemeckis tried on Polar Express is just a far-less-effective bastardization as far as I'm concerned. So, props to Linklater for realizing that it ain't broke, so don't fix it.

 
At 9:16 AM, Anonymous Anonymous said...

i thought downey was really good, as alwasy, but i thought it would of helped his cause if the film wasn't animated... as for "clerks 2" for best screenplay, i don't see it at all... i know your a kevin smith fan, but this isn't even one of his better writing efforts... i know a couple of people that went to see "borat" and they all say that it is hilarious (i went and saw "flags of our fathers" instead)...

 
At 8:57 AM, Anonymous Anonymous said...

Ha

You're all way off. RV has this baby in the bag. I don't know where you guys get off, talking like you know film.

You should be ashamed

 

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